2020 |
“Printing the Voice of the People: Folksong Weekly and the Heterogeneity of Chinese Folk Culture.” , Modern Chinese Literature and Culture (ISSN: 1520-9857), 32, 1, pp138-194 |
2020 |
"The Polyphonic Condition: Sin Wenzi, Topolect Writing and the Linguistic Limits of Nation-building in Revolutionary China, 1933-1956." , Asian Studies Review (ISSN:1467-8403 ). First Published September 3rd: https://doi.org/10.1080/10357823.2020.1807912 |
2020 |
Mark McConaghy and Shi Anshu (石岸書). 2019.“Translator’s Introduction: Representative Democracy and Representational Democracy by Wang Shaoguang.”, Voices From the Chinese Century: Public Intellectual Debate from Contemporary China. New York: Columbia University Press, pp222-224 |
2020 |
魏晉南北朝佛教文化與傳統「氣思維」的交涉──以「形/神」問題的思辨與實踐為主, 文與哲, 37, pp145-190 |
2020 |
〈「比興」之「比」與「類思維」之聯繫——從「前比興」之「比」到漢代「比類」的探索〉, 《中國文哲研究集刊》(THCI 第一級), 56, pp1-37 |
2020 |
〈以儀式凝視創傷:乞巧文的基型、傳衍與敘事心理〉, 《文與哲》(THCI,第一級), 36, pp135-182 |
2020 |
〈說《湯在啻門》論氣一節文字〉, 《清華簡研究》第3輯(2020年),頁159-70。 |
2020 |
〈論白蛇戲曲年畫未見於今傳明清傳奇的「劇情」〉, 臺北:《民俗曲藝》,第207期,頁61-110 |
2020 |
〈同源記憶的延續與變異──以高雄桃仔園保生大帝兄弟類型傳說為考察中心〉, 《臺灣文獻》第71卷第1期,頁45-98。(THCI核心期刊第二級) |
2020 |
“The Question of Literariness in Western Zhou Bronze Bell Inscriptions” (論西周編鐘銘文的文學性質), 饒宗頤國學院院刊7 (2020):115-151 |